{"title":"Pride 2026","description":"","products":[{"product_id":"prairie-chevrons-table-runner","title":"Prairie Chevrons Table Runner","description":"\u003cp\u003eThis Prairie style design is inspired by architectural themed stained-glass windows from this popular era of architecture.  The style emerged in Chicago around 1900.  A group of young architects combined the ideals of the Arts \u0026amp; Crafts Movement with its emphasis on nature, craftsmanship \u0026amp; simplicity with the architectural theories of Louis Sullivan, which included distinctly American architecture rooted in nature and included modern elements such as flat lines and stylized ornamentation. Sophisticated, neutral colors combined with a simplified design blend easily with any home décor style. Woven exclusively for Rennie \u0026amp; Rose, this is an extraordinary fabric with exceptional, rich colors and weaving.Matching placemats and pillows available. \u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eApprox. 13″ x 74″.\u003c\/li\u003e\n  \u003cli\u003ePoly\/Cotton\/Acrylic blend\u003c\/li\u003e\n  \u003cli\u003eSpot clean or machine wash cold, gentle cycle, lay flat to dry.  Cool iron.  Minor shrinkage with machine washing.  Dry clean for best results.\u003c\/li\u003e\n  \u003cli\u003eFabric woven \u003cem\u003eexclusively\u003c\/em\u003e for Rennie \u0026amp; Rose.\u003c\/li\u003e\n  \u003cli\u003eProduct manufactured in the \u003cem\u003e\u003cstrong\u003eUSA\u003c\/strong\u003e\u003c\/em\u003e\u003cem\u003e.\u003c\/em\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rennie \u0026 Rose","offers":[{"title":"Default Title","offer_id":32938545217571,"sku":"105004","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/8582\/8131\/products\/db860fbbi.jpg?v=1604363016"},{"product_id":"c-r-ashbee","title":"C R Ashbee","description":"\u003cp\u003eCharles Robert Ashbee―architect, designer, social reformer, and a major force behind the Arts and Crafts Movement―was one of the most significant figures in British artistic and cultural life at the turn of the century. 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Utilizing the often vivid journals kept by Ashbee and his wife, Janet, the book documents Ashbee’s life and work, the story of the Guild, and the part Ashbee played in a wide range of reform movements.\u003c\/p\u003e","brand":"WW Norton","offers":[{"title":"Default Title","offer_id":39614452727843,"sku":"9780300109399","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/8582\/8131\/products\/964a17fei.jpg?v=1649121002"},{"product_id":"loving-a-photographic-history-of-men-in-love-1850s-1950s","title":"Loving: A Photographic History of Men in Love 1850s-1950s","description":"\u003cp\u003eLoving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public. Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded. Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography. \u003c\/p\u003e\n\u003cp\u003eThe photographs - many fragile from age or handling - have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world's elite printers. Loving, the book, will be up to the measure of its message in every way. In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. 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A seventy-two-page facsimile of Richard Nickel’s salvage workbook is tipped into the binding. \u003c\/p\u003e","brand":"University of Chicago Press","offers":[{"title":"Default Title","offer_id":39632567402531,"sku":"9781517912802","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/8582\/8131\/products\/b4de8aa4i.jpg?v=1651949596"},{"product_id":"detail-2-louis-sullivan-abby-bag","title":"Detail 2 Louis Sullivan Abby Bag","description":"\u003cp\u003eThis item is made from one of two all-over fabrics designed to coordinate with our Louis Sullivan Art Glass Window Collection of specifically designed products. The inspiration for the collection comes from a beautiful window, designed by Louis Henry Sullivan for the National Farmers Bank, Owatonna, Minnesota, 1908.  A design from an important architect and historic building brought to life in woven fabrics and perfect for contemporary life. Small, just right sized handbag, for day or evening \u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eSmall handbag with cord shoulder strap.\u003c\/li\u003e\n  \u003cli\u003eZip closure.\u003c\/li\u003e\n  \u003cli\u003e7.5″ x 7.5″\u003c\/li\u003e\n  \u003cli\u003e40″ cord handle.\u003c\/li\u003e\n  \u003cli\u003eShell poly\/cotton blend. 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In August 1910, they began fifty-five years of love and life together by launching, as their honeymoon project, a freestanding summer art school. Tucked away in the eastern foothills of the Santa Cruz Mountains, the Cathedral Oaks school was bohemian in lifestyle but rigorously followed the teachings of the dean of American Arts and Crafts design, Arthur Wesley Dow.\u003c\/p\u003e\n\u003cp\u003eAfter shuttering the school in 1915, Ingerson and Dennison, known among their friends as “the Boys,” go on to lead glamorous lives as interior designers in Hollywood and Europe—hobnobbing with Academy Award winners and dining with the Peerage. But eventually, their money runs out, they lose their contacts, and they pass into starlessness. Married in substance one hundred years before California law got up to their speed, they are two of the most fascinating and admirable people you may have never heard of—until now.\u003c\/p\u003e\n\u003cp\u003e“A small ceramic tile enterprise from 1911 might sound like a niche subject, but with \u003cem\u003eThe Splendid Disarray of Beauty\u003c\/em\u003e, Richard D. Mohr has painted a vivid picture of the role that queer artists played in the American Arts and Crafts movement. There have been quite a few books and exhibition catalogs over the past decades that tackle the Arts \u0026amp; Crafts movement, but I’ve never read a clearer explanation of Arts \u0026amp; Crafts aesthetics. By using Cathedral Oaks, the author does an incredible job of connecting the aesthetic dots. The reader gets a very clear picture of the radicality of the Arts \u0026amp; Crafts aesthetic. I found it astounding how clearly these principles could be explained using Cathedral Oaks as a guide. This book illuminates a stunning body of work through in-depth examinations of aesthetics, education, and, most importantly, community.”\u003cbr\u003e\n—Garth Johnson, Paul Phillips \u0026amp; Sharon Sullivan Curator of Ceramics, Everson Museum of Art\u003c\/p\u003e\n\u003cp\u003e“Richard Mohr rescues from oblivion George Austin Dennison (1873–1966) and Charles Frank Ingerson (1879–1968), a lifelong romantic and artistic couple at the center of a thriving artist community, who welcomed many celebrity guests—including violinist Yehudi Menuhin and actresses Olivia de Havilland and Joan Fontaine—to their home in the Santa Cruz mountains. ‘The Boys,’ as they were affectionately known, excelled as creators of exquisite ceramic tile, as well as establishing the short-lived, but influential, Cathedral Oaks School of Painting and Design. This handsome volume, including its meticulous research, vibrant prose, and beautifully reproduced images, offers many fascinating delights: an important biographical contribution to queer studies, a contextualized consideration of California’s Arts \u0026amp; Crafts Movement, and detailed documentation of the San Francisco Bay Area’s rich social history.”\u003cbr\u003e\n—Jim Van Buskirk, coauthor of \u003cem\u003eGay by the Bay\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Richard Mohr has done a remarkable thing, excavating a loving and socially accepted same-sex relationship at the height of the American Arts and Crafts Movement in the early twentieth century, restoring to prominence two men lost to time. Given how commonly today’s collectors and students of the Arts and Crafts movement are queer, this book answers the plaintive, long-whispered query as to whether we would ever find evidence of queerness within the movement as it unfolded. As this book brilliantly underscores, it was there, it was proud, and it was socially integrated. In one bold act, Mohr has significantly advanced art history, queer studies, American studies, and design history.”\u003cbr\u003e\n—Jonathan D. 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What drew national attention to his seemingly unremarkable life was that he was revealed to be anatomically female. Dubois fit so well within the small community that the townspeople only discovered his “true sex” when his former husband and their two children arrived in the town searching in desperation for their departed wife and mother.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eAt the turn of the twentieth century, trans men were not necessarily urban rebels seeking to overturn stifling gender roles. In fact, they often sought to pass as conventional men, choosing to live in small towns where they led ordinary lives, aligning themselves with the expectations of their communities. They were, in a word, unexceptional.\u003cbr\u003e\n\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eTrue Sex\u003c\/em\u003e, Emily Skidmore uncovers the stories of eighteen trans men who lived in the United States between 1876 and 1936. Despite their “unexceptional” quality, their lives are surprising and moving, challenging much of what we think we know about queer history. By tracing the narratives surrounding the moments of “discovery” in these communities – from reports in local newspapers to medical journals and beyond – this book challenges the assumption that the full story of modern American sexuality is told by cosmopolitan radicals. Rather, True Sex reveals complex narratives concerning rural geography and community, persecution and tolerance, and how these factors intersect with the history of race, identity and sexuality in America.\u003c\/p\u003e","brand":"Ingram Publisher Services","offers":[{"title":"Default Title","offer_id":40053549826083,"sku":"9781479895687","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/8582\/8131\/files\/97ede244i.jpg?v=1685130848"},{"product_id":"gay-architects","title":"Gay Architects","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"RichTextEditor__block___2Vs_D RichTextEditor__paragraph___3NTf9\" data-block=\"true\" data-editor=\"99fgr\" data-offset-key=\"f8ell-0-0\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-offset-key=\"f8ell-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"f8ell-0-0\" data-mce-fragment=\"1\"\u003eThe forgotten private lives of history's most famous gay architects.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-offset-key=\"f8ell-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"f8ell-0-0\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-offset-key=\"f8ell-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"f8ell-0-1\" data-mce-fragment=\"1\"\u003eHomosexuality is still a taboo subject in architectural history. When historical architectural personalities have lived outside the heterosexual norm, their private lives are readily shrouded in obscurity. As long as penal laws endured, social existence was constantly threatened, and hiding was a necessity. Defensive strategies were needed to protect themselves. To track down these outsiders of the past, historical sources must be read queerly. This volume brings together 35 portraits of gay architects from the Baroque era to the modern age in North America, Europe and Palestine, presenting surprising biographies, admirable houses and, not infrequently, intelligently designed refuges with which the protagonists protected their private lives. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-offset-key=\"f8ell-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-mce-fragment=\"1\"\u003e\u003cspan data-offset-key=\"eef6t-0-0\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-offset-key=\"f8ell-0-0\" class=\"public-DraftStyleDefault-block public-DraftStyleDefault-ltr\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-offset-key=\"eef6t-0-0\" data-mce-fragment=\"1\"\u003eFeatured architects include\u003c\/span\u003e\u003cspan data-offset-key=\"eef6t-0-1\" data-mce-fragment=\"1\"\u003e: Stanford White, Ralph Adams Cram, Bertram Grosvenor Goodhue, Bruce Goff, Charles Moor, Lionel Pries, Barry Dierks, William Alexander Levy, Paul Rudolph, Horace Gifford, Luis Barragán, Geoffrey Bawa, Horace Walpole and more.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ingram Publisher Services","offers":[{"title":"Default Title","offer_id":40083771523107,"sku":"9783803023780","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/8582\/8131\/files\/i_83c3b04c-cec8-4dd1-9ed5-6c43b4cc9daa.jpg?v=1689114560"},{"product_id":"babson-house-table-runner","title":"Babson House Table Runner","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis design is inspired by the remarkable windows in the Henry Babson House, Riverside Illinois, 1907.  The building was designed by influential architect, Louis H. Sullivan, although most major design work was by George Elmslie while he was chief draftsman and ornamental designer at Sullivan’s firm.  Though the house is no longer standing, three buildings on the property survive.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe striking geometric design of the window blends effortlessly with rich colors and extraordinary weaving.  Woven exclusively for Rennie \u0026amp; Rose.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eApprox. 13.25″ x 75″.\u003cbr data-mce-fragment=\"1\"\u003ePoly\/Cotton blend.\u003cbr data-mce-fragment=\"1\"\u003eSpot clean or machine wash cold, gentle cycle, lay flat to dry. Cool iron. Minor shrinkage with machine washing. Dry clean for best results.\u003cbr data-mce-fragment=\"1\"\u003eFabric woven exclusively for Rennie \u0026amp; Rose.\u003cbr data-mce-fragment=\"1\"\u003eProduct manufactured in the USA.\u003c\/p\u003e","brand":"Rennie \u0026 Rose","offers":[{"title":"Default Title","offer_id":40119387127843,"sku":"2081","price":89.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/8582\/8131\/files\/i_583b2d67-6525-4f5e-bc9f-bb05992aad7f.jpg?v=1695511080"},{"product_id":"louis-sullivan-designs","title":"Louis Sullivan Designs","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLouis Sullivan’s designs stand—among stiff competition—as the preeminent exemplars of Chicago School architecture. He brought to his practice a conviction that ornamentation should arise naturally from a building’s overall design, restating, in a large or small way, themes expressed in the structure as a whole. The designs adapted for this notecard assortment combine Art Nouveau complexity with geometric elegance, and in doing so epitomize the Sullivan sensibility. Please note: the images are not printed with ink. The shapes of the illustrations are embossed on high-quality recycled paper. Contains three each of the following notecards: Adaptation from ornamental medallion on Schlesinger \u0026amp; Mayer (now Carson Pirie Scott) department store, 1899\/1904 Adaptation from ornamental detail on Auditorium Building, 1887–1889 Adaptation from ornamental grillwork on Schlesinger \u0026amp; Mayer (now Carson Pirie Scott) department store, 1899\/1904 Adaptation from ornamental detail on Getty Tomb, 1890\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e• 12 assorted cream-colored embossed notecards (3 each of 4 designs) with envelopes in a decorative box\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Produced using high-quality uncoated recycled paper\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e• Soft white envelopes\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished with the Chicago Architecture Foundation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBox size: 5.375 x 6.875 x 1.25 in.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCard size: 4.75 x 6 in.\u003c\/span\u003e\u003c\/p\u003e","brand":"Pomegranate Communications","offers":[{"title":"Default Title","offer_id":40365035978787,"sku":"0372","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/8582\/8131\/files\/i_3fa52a29-31ec-42a9-8ef9-a43bbd146595.webp?v=1717036667"},{"product_id":"cantoras","title":"Cantoras","description":"\u003cp\u003eIn defiance of the brutal military government that took power in Uruguay in the 1970s, and under which homosexuality is a dangerous transgression, five women miraculously find one another—and, together, an isolated cape that they claim as their own.\u003c\/p\u003e\u003cp\u003eOver the next thirty-five years, they travel back and forth from this secret sanctuary, sometimes together, sometimes in pairs, with lovers in tow or alone. Throughout it all, they will be tested repeatedly—by their families, lovers, society, and one another—as they fight to live authentic lives.\u003c\/p\u003e\u003cp\u003eA groundbreaking, genre-defining work, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit.\u003c\/p\u003e","brand":"Penguin Random House","offers":[{"title":"Default Title","offer_id":40519684325411,"sku":"9780525563433","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/8582\/8131\/files\/9780525563433.jpg?v=1721065881"},{"product_id":"prairie-style-stained-glass-neighborhood-map-1000-pc-puzzle","title":"Prairie Style Neighborhood Map 1000 pc Puzzle","description":"\u003cp\u003eThe turn of the twentieth century put Chicago on the architectural map with its renowned parks, homes, and office buildings designed by the likes of Frederick Law Olmsted, Louis Sullivan, and Frank Lloyd Wright. This defining style would later become known as the Prairie School, with its smooth, horizontal lines, ornamental stained glass, simple yet elegant design features, and seemingly effortless integration into its natural surroundings. With examples of this style to be found all over the city, each Chicago neighborhood tells its own architectural story of the people that live, work and play in them. Our Prairie Style Stained Glass Neighborhood Puzzle incorporates iconic architectural motifs and timeless design characteristics to create a unique visual of Chicago neighborhoods. Finished puzzle measures 19.25\" x 26.25\". Printed on high quality 69 pt. chipboard. Now including a 9.5\" x 13.25\" guide poster!\u003c\/p\u003e","brand":"Transit Tees","offers":[{"title":"Default Title","offer_id":40526896037923,"sku":"243013","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0286\/8582\/8131\/files\/470478771c34d2632779aa607ef39931e9eb2a1f716be5c3d7f775275188f690.jpg?v=1721866961"},{"product_id":"charles-j-connick","title":"Charles J Connick","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe first comprehensive account of Charles J. Connick, America’s most innovative and influential stained glass artist working in the first half of the twentieth century\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe first comprehensive account of Charles J. Connick, America’s most innovative and influential stained glass artist working in the first half of the twentieth century\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWhen Charles J. Connick (1875–1945) began his stained glass career in Pittsburgh in the 1890s, America’s fascination with the newly invented “opalescent” windows of Tiffany and La Farge meant that the original traditions of the art form were almost forgotten. Connick made it his life’s mission to reassert the values of the medieval craft, successfully persuading twentieth-century Americans that these could inspire powerfully expressive modern glass as well as thrilling new imagery.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis book presents the dynamic trajectory of Connick’s artistic development. 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Scott,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times Book Review\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eInspired by the restoration of her own garden, \"imaginative and empathetic critic\" (NPR) Olivia Laing embarks on an exhilarating investigation of paradise.\u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2020, Olivia Laing began to restore an eighteenth-century walled garden in Suffolk, an overgrown Eden of unusual plants. The work brought to light a crucial question for our age: Who gets to live in paradise, and how can we share it while there’s still time? Moving between real and imagined gardens, from Milton’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParadise Lost\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eto John Clare’s enclosure elegies, from a wartime sanctuary in Italy to a grotesque aristocratic pleasure ground funded by slavery, Laing interrogates the sometimes shocking cost of making paradise on earth.\u003c\/p\u003e\n\u003cp\u003eBut the story of the garden doesn’t always enact larger patterns of privilege and exclusion. It’s also a place of rebel outposts and communal dreams. From the improbable queer utopia conjured by Derek Jarman on the beach at Dungeness to the fertile vision of a common Eden propagated by William Morris, new modes of living can and have been attempted amidst the flower beds, experiments that could prove vital in the coming era of climate change. 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Discovered in a variety of ways, sometimes tucked away in antique shops and flea markets, they had slipped into the cracks of photographic history before being added to the Nini-Treadwell Collection one at a time, over a 25-year period. These courageous couples, from so long ago, who took and protected these photos, could not have imagined that one day their mementos of love would appear in a book that has been embraced all over the world. So much so that a second volume was necessary. These couples sent a message to the future. 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Celebrated as a queer artist, she was this and much more\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eAlice Austen (1866-1952) lived at Clear Comfort, her grandparent's Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called \"the larky life\" of tennis matches, yacht races, and lavish parties.\u003c\/p\u003e\n\u003cp\u003eWhen she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men's clothes, \"smoking\" cigarettes, and feigning drunkenness. As she later remarked, she was \"too good to get married.\" Austen embraced the rebellious spirit of the \"New Woman,\" a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. 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